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Film Feminisms offers a global and updated overview of the history, present-day concerns, and future of feminist film and theory. It introduces frameworks from phenomenology, affect theory, and psychoanalysis to reception studies, new media theories, and critical historiography, as well as engaging with key issues in documentary ethics, genre theory, and star studies. This new textbook situates feminist film theory within the larger framework of transnational scholarly approaches, as well as decolonial, queer, disability studies, and critical race theories. It offers a much-needed update on pedagogical approaches to feminist film studies, providing discussions of filmmakers and films that have been overlooked in the field, or that are overdue for further analysis. Each chapter is supported by a variety of pedagogical features including activities, key terms, and case studies. Many of the activities draw on contemporary digital media, such as social media and streaming platforms, to update the field to today’s changing media landscape.
This is a digital product.
Film Feminisms: A Global Introduction 1st Edition is written by Dijana Jelača; Kristin Lené Hole and published by Routledge. The Digital and eTextbook ISBNs for Film Feminisms are 9781317212157, 1317212150 and the print ISBNs are 9781138667891, 1138667897. Additional ISBNs for this eTextbook include 9781315618845, 9781317212140, 9781317212164, 9781138667907.

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